标签归档 上海夜生活导航

　　Beijing, April 14 (Xinhua) According to the website of the Ministry of Industry and Information Technology, the Ministry of Industry and Information Technology recently released the economic operation of the automobile industry in March 2020. The data shows that in March, the production and sales of automobiles were 1.422 million and 1.43 million respectively, down by 44.5% and 43.3% respectively. From January to March, the production and sales of automobiles were 3.474 million and 3.672 million respectively, down by 45.2% and 42.4% respectively.

　　According to reports, in March, 2020, with the phased results of epidemic prevention and control in COVID-19, auto companies accelerated their resumption of work and production, production and operation resumed in an orderly manner, and the auto market gradually picked up, but the overall production and sales were still at a low level.

　　Car sales in March decreased by 43.3% year-on-year.

　　In March, the production and sales of automobiles were 1.422 million and 1.43 million respectively, down by 44.5% and 43.3% respectively.

　　From January to March, the production and sales of automobiles were 3.474 million and 3.672 million respectively, down by 45.2% and 42.4% respectively.

Image source: website of Ministry of Industry and Information Technology

　　— — In March, passenger car sales decreased by 48.4% year-on-year.

　　In March, the production and sales of passenger cars were 1.049 million and 1.043 million respectively, down by 49.9% and 48.4% respectively. In terms of vehicle types, the production and sales of cars were 493,000 and 491,000 respectively, down by 50.3% and 48.6% respectively. The production and sales of SUVs were 498,000 and 485,000 respectively, down by 44.8% and 43.9% respectively. The production and sales of MPV were 35,000 and 46,000 respectively, down by 77.3% and 70% respectively. The production and sales of crossover passenger cars were 22,000 and 21,000 respectively, down by 48.6% and 58.2% respectively.

　　From January to March, the production and sales of passenger cars were 2.684 million and 2.877 million respectively, down by 48.7% and 45.4% respectively. In terms of vehicle types, the production and sales of cars were 1.233 million and 1.325 million respectively, down by 50.4% and 47.6% respectively. The production and sales of SUVs were 1.288 million and 1.372 million respectively, down by 43.1% and 39.6% respectively. The production and sales of MPV were 114,000 and 136,000 respectively, down by 70.4% and 63.3% respectively. The production and sales of crossover passenger cars were 49,000 and 45,000 respectively, down by 51.1% and 54.1% respectively.

Image source: website of Ministry of Industry and Information Technology

　　In March, China brand passenger cars sold 433,000 vehicles, down 48.2% year-on-year, accounting for 41.5% of the total passenger car sales, and its share increased by 0.2 percentage points year-on-year.

　　From January to March, the cumulative sales of China brand passenger cars was 1.155 million, down 47.3% year-on-year, accounting for 40.1% of the total sales of passenger cars, and the share decreased by 1.5 percentage points year-on-year. Among them, the sales volume of cars was 265,000, down 48.7% year-on-year, with a market share of 20.1%; The sales volume of SUVs was 752,000 units, down 41.3% year-on-year, with a market share of 54.8%. MPV sold 91,000 vehicles, down 69% year-on-year, with a market share of 67.2%.

　　— — Commercial vehicle sales in March decreased by 22.6% year-on-year.

　　In March, the production and sales of commercial vehicles were 373,000 and 388,000 respectively, down by 20.3% and 22.6% respectively. In terms of vehicle types, the production and sales of trucks were 341,000 and 357,000 respectively, down by 20.3% and 22.1% respectively. The production and sales of passenger cars were 32,000 and 31,000 respectively, down by 20.9% and 28% respectively.

　　From January to March, the production and sales of commercial vehicles were 790,000 and 794,000 respectively, down by 28.7% and 28.4% respectively. In terms of vehicle types, the production and sales of trucks were 721,000 and 728,000 respectively, down by 29.3% and 28.2% respectively. The production and sales of buses were 69,000 and 66,000 respectively, down by 22.9% and 30.7% respectively.

Image source: website of Ministry of Industry and Information Technology

　　In March, the sales of new energy vehicles decreased by 53.2% year-on-year.

　　In March, the production and sales of new energy vehicles were 50,000 and 53,000 respectively, down by 56.9% and 53.2% respectively. In terms of vehicle types, the production and sales of pure electric vehicles were 38,000 and 40,000 respectively, down by 58.5% and 55.6% respectively. The production and sales of plug-in hybrid vehicles were 11,000 and 13,000 respectively, down by 50.2% and 44.1% respectively. The production and sales of fuel cell vehicles were 38 and 36 respectively, of which the output increased by 5.6% year-on-year, and the sales volume was the same as the same period.

　　From January to March, the production and sales of new energy vehicles were 105,000 and 114,000 respectively, down by 60.2% and 56.4% respectively. In terms of vehicle types, the production and sales of pure electric vehicles were 77,000 and 85,000 respectively, down by 61.8% and 58.6% respectively. The production and sales of plug-in hybrid electric vehicles were 28,000 and 29,000 respectively, down by 55% and 48.5% respectively. The production and sales of fuel cell vehicles were 183 and 207 respectively, down by 19.7% and 7.2% respectively.

Image source: website of Ministry of Industry and Information Technology

　　From January to February, the main business income of key enterprises decreased by 32.8% year-on-year.

　　From January to February, the main business income of key enterprises (groups) in the automobile industry totaled 382.7 billion yuan, down 32.8% year-on-year; Accumulated profits and taxes totaled 21.16 billion yuan, down 65.1% year-on-year.

　　Automobile exports increased by 0.8% year-on-year in March.

　　In March, 91,000 vehicles were exported, a year-on-year increase of 0.8%. In terms of models, the number of passenger cars exported was 68,000, a year-on-year increase of 21.9%; The number of commercial vehicles exported was 23,000, a year-on-year decrease of 33.8%.

　　From January to March, 204,000 vehicles were exported, down 11.5% year-on-year. In terms of models, the number of passenger cars exported was 154,000, a year-on-year increase of 5.3%; 50,000 commercial vehicles were exported, down 40.7% year-on-year.

The end of the Spring Festival has brought a new term: desperate illiteracy. At that time, YiBo was interviewed in the offline publicity of "Nobody". A reporter asked what he had learned through the role. Originally, he was just a standard questions, but YiBo hesitated for a long time. In the end, he could only end up with "I don’t know how to answer".

Not only did the audience question the top-notch cultural level, but even the official media couldn’t stand it and publicly criticized "desperate illiteracy".

In fact, it’s not only YiBo who is puzzled when he arrives at the interview, but also Zhao Lusi, Liu Haocun and others have left embarrassing interview clips.

Zhao Lusi was even suspected by netizens that she had not read the script outline, otherwise how could she not even know the story background?

Liu Hao’s interview about the definition of an actor has been famous on the Internet for a long time, but he couldn’t answer it after thinking for a long time. He had to smile around to cover up his embarrassment and weakly said, "Will it be broadcast here?"

The article also mentioned "Man Jiang Hong", and the "illiterate jokes" caused by the publicity link abound.

Netizens found that Jackson Yee, the leading actor, had written a lot of typos. Not only that, he also associated "Yue Fei’s death" with "romance", which was a bit irrelevant.

Compared with these young artists, the advantages of powerful actors are self-evident. Take The Knockout, who just finished, as an example. The two leading actors, Zhang Yi and Zhang Songwen, have quite good writing styles.

Zhang Yi’s acting experience was read by netizens, and he also opened a personal column in the newspaper.

Zhang Songwen is also an out-and-out literary youth, and his articles have been published in Youth Digest. During The Knockout’s broadcast, he wrote a whole article about the characters’ experience, which was exquisite and vivid.

Performing a good play is more than just memorizing lines. If you want to deduce the soul of the role, you must first have a full understanding of the role.

As a starring role, you should be familiar with the background of the story, so as not to ask why. Observing the characters deeply on the basis of understanding the background of the story is to test the basic skills of the actors.

Where is the effort, the effect will appear. The truth that no pains, no gains is still out of date in acting.

Acting is not lip service, let alone a good interpretation of the role by feeling. Whether you have worked hard on acting, the audience’s eyes are discerning.

The Knockout’s ratings can soar all the way, which is inseparable from the actor’s control over the role. An Xin and Gao Qiqiang are antagonistic to each other, and the contest between one positive and one evil is full of tension and quite penetrating. Just at the stage of studying the script, the starring actors have been studying hard for many days.

Ronnie, the actor of Gao Qilan in the play, revealed that the whole crew took acting very seriously and could not keep up without a little effort. Whether an actor is serious about his work or not, ratings are the most intuitive reflection.

A good actor not only plays the play freely, but also has his own connotation and foundation. As the co-star of Nobody, Tony Leung Chiu Wai is a senior figure. Many people think that he is taciturn and not very active in front of the camera.

As a matter of fact, Tony Leung Chiu Wai has an inner show and loves reading very much. He can often quote from the classics, handy, and inadvertently reveal a very amazing literary talent.

After acting, Tony Leung Chiu Wai put more energy into reading. He can analyze the role clearly, and every sentence is reasonable, and the director will ask him a thing or two.

Throughout Tony Leung Chiu Wai’s career experience, he frequently contributed classic works, such as Chungking Forest, Spring Break, In the Mood for Love, Infernal Affairs, A Master and Listener, all of which are branded with his strong personal style.

Realism and heaviness in performance is an arduous challenge. Good cultural accomplishment has laid a solid foundation for his acting career. No matter what role he plays, it is difficult for the audience to see a sense of disobedience from Tony Leung Chiu Wai.

Full of work and meticulous work, the performance is like a slow stew. You should not rush for success, let alone be impetuous. Instead, you should bend down, calm down and hold your horses. If you don’t even know the most basic questions, it is the actor’s dereliction of duty.

Are young actors really unable to put on a good show nowadays? Not really. Learn to be a man first, and if you don’t keep your attitude straight and don’t want to practice from scratch with an open mind, problems will gradually accumulate until water under the bridge.

In the face of reporters’ questions, they are hesitant and ambiguous. Although it is not a big problem, such a phenomenon appears one after another in young actors, which is ultimately not professional enough.

Doing homework in advance is the basic accomplishment of actors, and it should be consciously observed and even engraved. However, in the eyes of some actors, it seems to be a common thing to spoil. This is why the "nine leaks" of internal entertainment emerge in an endless stream, and the cultural level of stars has been repeatedly criticized by netizens.

It is important to put on a good show, but besides, young actors can’t ignore the importance of timely charging. This is not only for the long-term development of personal career, but also for fans and audiences. Temporary popularity is not equal to strength, and taking the audience’s love for granted rather than self-correction, such popularity can only be a flash in the pan.

Competing for the Champions League next season will be the number one goal of AC Milan in the rest of this season. No matter for the future development of the team or the club’s financial income, the Champions League seat is an indispensable part. Moreover, this will greatly affect the investment and signings of management Maldini and Ma Sala in the transfer market this summer.

Compared with the front line and the backcourt, the position of the midfield is the most criticized by the Rossoneri this season. With the club’s current investment strategy and development vision, it is difficult to ask for both winning and beautiful scenes. Although the team can have some representative performances in the strong dialogue this season, it can’t control the situation frequently because of insufficient lineup reserves in the face of weak teams.

The combination of Ben Nasser, Tonali, krunic and Diaz in the middle is always in a state of ups and downs, and the confrontation ability often suffers losses on the court, which can’t cause enough trouble for opponents. If we can have a player who can fight and take on the dirty work, it will be a great boost to the Rossoneri’s midfield strength to liberate the strengths of Ben Nasser or Tonali.

Tonali is the most indispensable midfielder in Pioli’s team at present, who can attack and retreat, while others have certain shortcomings. Ben Nasser needs to be absent for a long time after being seriously injured, and his state is unknown. When he played with Diaz, because neither of them had an advantage, he was often regarded as the key target of attack by his opponent.

Although krunic, a tiger balm, can provide tactical functions in some cases, he can constantly make up for the position and coordinate defense in the backcourt, but once he needs to press forward or take on more offensive responsibilities, he can’t do anything about it. Combing and passing is not his strong point, and he can only contact his teammates through short-distance cross passes and return safe balls. The strength of players is obviously only suitable for the role positioning of rotation.

It may be the most appropriate solution to form an all-round balanced trio, so as to increase the personnel reserve and thickness of the lineup, and let head coach Pioli have more candidates with different tactical styles on the bench, and adopt different tactical arrangements according to different opponents to pursue further achievements.