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After 9 years, the Asian Youth Championship group qualified! A light in the dark night of China football.

  BEIJING, Beijing, March 9 th: After 9 years, the Asian Youth Championship Group qualified! A light in the dark night of China football.

  Reporter Bian Liqun

  In the U20 Asian Cup group match, which ended on the evening of 9th Beijing time, the U20 national football team played Kyrgyzstan 1-1 and successfully qualified from the "group of death". This is the U20 national football team reaching the U20 Asian Cup knockout round again after 9 years.

  For China football in the valley, it is undoubtedly an invaluable light in the dark night.

  Competition progress

  This game is still quite thrilling. The opening ceremony of Kyrgyzstan U20 posed several threats. It wasn’t until the 19th minute of the game that China shot a slightly threatening shot, and Eiffel turned around and attacked the goal in the restricted area, slightly higher than the crossbar.

  In the 30th minute, Kyrgyzstan set the ball, but the close header in front of Brauzman didn’t reach it, so China dodged a bullet.

  Yi Bian fought again. In the 49th minute, Brauzman pushed the goal, but the offside goal was invalid.

  In the 59th minute, the passive China team took the lead in breaking the deadlock! China fought back, Buick Berdinov made an own goal in the process of clearance, and China led 1-0!

  In the 87th minute, China missed the goal in the counter-attack. In turn, Kyrgyzstan scored a quick counter-attack, and China scored 1-1 in Kyrgyzstan. In the end, this score was difficult to maintain until the end.

  Re-qualify after 9 years

  As Japanese U20 beat Saudi U20 2-1 in the same group, China scored 4 points in the group stage, with 1 win, 1 draw and 1 loss, and qualified as the second group. In the previous two group matches, the U20 national football team was reversed by Japan 1-2 and defeated Saudi Arabia 2-0.

  Whether it is the process or the result, this is a happy result. Since the U20 national football team, represented by Wei Shihao, reached the Asian Youth Championship (U20 Asian Cup) in 2014, the China team has not qualified for 2016 and 2018.

  In the 2020 Asian Youth Championship, China suffered the first missed trough in 25 years, but the Asian Youth Championship was later cancelled due to the epidemic.

  In this Asian Youth Championship, China stumbled through the preliminaries, but fell into the "death group" where Japan and Saudi Arabia were located, and its prospects became even more bleak.

  It is precisely these factors that make people feel extremely happy even if the U20 national football team is "only" qualified for the Asian Youth Championship, and it has successively made headlines and hot searches in major media.

  Of course, there are also different voices that this is an accidental event of "eating jiaozi", which is due to luck, and what’s more, it has come up with a cynical "traditional artistic ability".

  Then ask, isn’t one of the great charms of football accidental? Otherwise, why is Saudi Arabia still talking about winning Argentina in the World Cup? If you can’t be happy if you win or lose, what’s the point of football? Simply make a spittoon to abuse and vent?

  At present, the strength of China football is indeed limited, but it is worthy of applause to be the best under limited conditions, which is not limited to the U20 national football team, but also to the national football team and the women’s football team in China.

  Give a sample of China football.

  Of course, over-belittling and over-flattering are not conducive to the current football in China. At this stage, we still need to be rational and pragmatic. This U20 under Antonio also fully embodies this point.

  Although the tactic of "swinging the bus" was adopted and the ball was handed over to the opponent, it was not for the sake of swinging the bus.

  We can see the adjustment of the defensive level and formation, the aggressiveness in the rush, the routine of counterattack, including the design of the set-pieces, and we can still see some skills. It is already very successful to achieve such an effect under the existing team.

  Coupled with the vigor, the players carried out the tactics well. Whether against Japan or Saudi Arabia, which is stronger than themselves, the boys of the China team always fought and were not defeated.

  This has also set a good example for China football. In the face of strong players in the international arena, it is not just passive beatings. We can find a way that suits us and compete to a certain extent.

  In addition, Eiffel, Mutalifu and Hu Hetao, who performed well in this U20 national football team, also showed the importance of the league. They all made progress under the struggle of the Super League last season. Can withstand the critical moment in the U20 national football team.

  After entering the knockout stage, on the evening of 12th, Beijing time, the U20 national football team will play against South Korea. The opponents had previously drawn U20 in Oman, Jordan and Tajikistan at 4:0, 2:0 and 0:0 respectively.

  Fight hard, catch up, China boys continue to refuel! (End)

Apple’s first folding screen is here! Not iPhone

Source: Lei Technology AI Hardware Group | Editor: Chongjia | Typesetting: Autumn

Nowadays, folding screens have long been an important segment of smart phones. This new form of product, which is different from the traditional straight board computer, is becoming a key weapon for major mobile phone manufacturers to seize the brand highland and impact the high-end market. In addition to mobile phones, the concepts and products of folding screen notebooks and folding screen tablets are gradually emerging.

Recently, Guo Ming, a well-known Apple whistleblower, revealed that the only Apple foldable product with clear development progress is the MacBook, which will be equipped with a 20.3-inch large screen.

Notebooks are naturally foldable, but the "folding" here means "closing the lid" to make the host fit the screen. What the "foldable notebook" says is that the screen of the notebook itself can be folded.

In fact, this is not a particularly novel concept. For example, ASUS launched Lingyao X Fold, which focuses on folding screen selling points.Specifically, this notebook is still the design idea of two-in-one product (notebook and tablet in one), and its physical keyboard part and screen are separated. At the same time, the screen part of Lingyao X Fold can be folded.

(Source: ASUS)

Lingyao X Fold uses a 17.3-inch OLED screen, which is the same as a normal notebook when unfolded. In the folded state, the screen size will become 12.5 inches, which can be used either as a tablet or as a 12.5-inch notebook with half for screen display and the other half as a virtual keyboard on the screen.

Lenovo, another PC giant, has also launched a folding screen notebook, and its representative product is ThinkPad X1 Fold. Its product form and design ideas are very similar to Lingyao X Fold, and it is also a variant of two-in-one products. ThinkPad X1 Fold uses a 16.3-inch OLED screen with a 12-inch display area when folded.

(Source: Lenovo)

Judging from the folding screen notebooks of these two brands, the corresponding technologies they adopted are actually relatively mature, basically upgrading the original 2-in-1 PC, and the screen part is an OLED+ hinge solution.

In the view of Lei Technology (ID: Leitech), the folding screen MacBook will adopt similar hardware design ideas. Compared with the folding screen mobile phone, a big problem on the folding screen notebook is the handling of the physical keyboard. In order to ensure the input efficiency, it is difficult to remove the physical keyboard directly from the folding screen notebook, so it can only be designed separately.

In fact, just like the folding screen mobile phone, the core problem solved by the folding screen notebook computer is the unity of "portability and large screen". Users want to go out with a big screen, but they don’t want it to occupy too much space, so "foldable" has become an ideal solution.

Compared with the Windows camp, Apple’s situation is somewhat special. At present, Apple has not launched a two-in-one MacBook product.If Apple wants to launch a 2-in-1 folding screen notebook, then the first estimation to be solved is the system and software problems.

Apple has always been resistant to notebook touch screens. Although iPadOS has been in macOS, and they are getting closer and closer, they are still two completely different operating systems, and the underlying interactive logic and software ecology are not the same thing.

Of course, in theory, Apple can insist on not providing touch interaction function for the screen of the folding screen MacBook. But in this way, the use of folding screen notebooks will be greatly limited. Originally, the detachable screen can be used independently in the form of a flat panel, which greatly increases the selling point of the folding screen notebook. If there is no touch function, then the selling point of the folding screen MacBook may only be the large screen, which will have limited appeal to users.

It is worth mentioning that Lei recently saw an interesting "invention" of Federico Viticci in an Apple community.He used the "decapitated" MacBook with no screen with the iPad, and turned the iPad into a wireless screen of the MacBook with Sidecar function. In this way, he got a DIY version of the two-in-one MacBook. The fly in the ointment is that the Sidecar function requires two devices to access the same LAN, so it is not convenient to use it when going out.

(Source: MacStories)

In Xiao Lei’s view, Apple can learn from this idea. Nowadays, all Macs have completed the migration to the ARM self-developed chip platform, and it is not difficult to get through macOS and iPadOS. After all, we can now use a large number of iPad and iPhone applications on the MacBook. Moreover, compared with the Windows camp, Apple has stronger control over its own M-series chips, and it also has advantages in heating and power consumption control, which is very suitable for products that require more space, such as folding notebooks.

Once Apple makes macOS support touch function, the playability of folding screen MacBook will be greatly increased.

Xiao Lei believes that the order of Apple’s folding products will be folding screen MacBook, folding screen iPad and folding screen iPhone. As we all know, Apple has always been more inclined to launch mature commercial products, and is not keen to release pioneering products with cutting-edge technologies but low maturity. Mobile phones are still Apple’s pillar business, and Apple will naturally have many concerns about using the iPhone to test water folding screen devices. On MacBook products, this concern will be much less.

Unlike mobile phones, the PC market itself has a small capacity. Moreover, in the PC industry, Apple’s shipment ranking is not high. In recent years, the operation of Mac business is not particularly ideal. In terms of Q1 financial report in fiscal year 2024, Apple’s Mac revenue was $7.78 billion, accounting for about 6.5% of the total revenue. In this way, Apple has more incentive to test the water folding screen technology on the MacBook.

We can find that the current mainstream folding screen notebook solution is essentially the same as the folding screen tablet. However, the folding screen notebook has an external physical keyboard than the folding screen tablet. Similarly, since Apple intends to release a folding screen MacBook, it is also a matter of course to launch a folding screen iPad.

Previously, there has been news in the supply chain that Apple’s MacBook and iPad product lines will gradually be OLED, which is naturally conducive to the subsequent emergence of corresponding folding screen devices. Apple’s current top-end flat-panel product, iPad Pro, has a maximum size of 12.9 inches. If the screen display area is to be further broken, it is an inevitable trend to move towards a folding screen form.

(Source: Apple)

As for the folding screen iPhone that everyone pays more attention to, there are also some news. At the end of last year, Korean media AlphaBiz reported that Apple executives revealed that the folding screen iPhone is expected to be released in 2026. However, this news has not been confirmed by other sources.

One of the two most critical technologies of folding screen mobile phone is the screen, and the other is the hinge. The former is not difficult for Apple, while the latter may need to accumulate experience through folding screen MacBook and folding screen iPad. At present, the proportion of shipments of folding screen mobile phones is still low, and there is still a long way to go before it is widely popularized. There are still certain opportunities for folding screen iPhone in the future.

(Source: CNET)

Of course, Xiao Lei also believes that Apple’s perennial smashing of iPhone products will affect the competitiveness of the folding screen iPhone. Now, all major manufacturers are competing for beauty in folding screen mobile phones, but the common product evolution direction is to continuously improve the basic skills on the basis of maintaining the special advantages of folding screens.

In other words, the advantage of the early folding screen is that it can be folded, but it lags behind the traditional straight flagship in terms of image, battery life, reliability and price.Now, Huawei, Xiaomi, OPPO and other head brands are constantly enhancing the image ability of folding screens and enhancing reliability through better hinge technology. Folding screen mobile phones are gradually changing from "tent-type" products to "bucket-type" products.

As a conventional flagship, iPhone has lagged behind Android models in terms of heat dissipation, signal, image and charging. For example, the problem of fever and poor battery life of the iPhone 15 Pro is largely due to the lack of progress in Apple’s heat dissipation design. If Apple Trade rashly launches a folding screen iPhone now, it will perform poorly in terms of image, signal and performance stability. Apple still has a lot of lessons to make up before making a good enough folding screen phone.

The basic form of smart phones has not changed since the release of the iPhone in early 2007. After the mobile phone manufacturers have exhausted the conventional means to increase the screen size, the new form of folding screen has become the evolution trend of the next generation of mobile phones.

For notebook products, it is much less necessary for them to evolve into folding screen form. After all, the screen size of the notebook itself is much larger than that of the mobile phone, and its requirements for portability are lower than that of the mobile phone. Therefore, Xiao Lei believes that folding screen notebooks will not become the mainstream form.

Of course, the PC industry behind the notebook itself is already facing the problem of saturated market capacity and lack of room for growth. The application of cutting-edge technologies such as folding screen and AI may inject some new hopes into this ancient product.

As for the folding screen MacBook, Xiao Lei thinks it may not be too innovative in product form. However, in terms of system and software, the integration of iPadOS and macOS is more worth looking forward to. Xiao Lei is looking forward to it. Apple can bring refreshing solutions to the industry in its own way on the system software of folding screen products. Apple is late in folding screen products, and Xiaolei will keep a close track of its products, so stay tuned.

End

"Fang’s Unique Skill" —— Song Yulin’s Talk on Fang Chuxiong’s Animal Paintings

  Editor’s Note: The official WeChat platform of Song Wenzhi Art Research Center has opened the book "Youyuan — — Since the column "Essays on Tibetan Fan by the Owner of Shiyanzhai", it has been deeply loved by art lovers and collectors. Previously, Mr. Song Yulin had published "Yuyuan" and "Mo Yuan", and "Dream Yuan" was his "three-edge" work. The three books are not only independent books, but also interrelated and coordinated, involving more than 200 ancient and modern calligraphers and painters, and more than 230 articles, which are very precious. The author introduces the artist’s artistic experience, the style characteristics of his works and his love for calligraphy and painting with the collection.

  Among contemporary Lingnan painters, Fang Chuxiong is an excellent flower-and-bird painter. His animal paintings are unique and praised as "a unique skill of Fang". I am often attracted by the cordial and warm atmosphere in his paintings. I remember a philosopher once said: brilliant, will be attributed to plain. I think it is appropriate to describe Chuxiong’s paintings as brilliant and plain. I can’t remember when and where I met Brother Chuxiong. Maybe we didn’t have much communication at that time, so the impression was not deep. A few years ago, Brother Chuxiong heard from a friend that I liked his works, so he called me and said that he would give me one, which made me quite embarrassed, but I appreciated his kindness.

"Dream" column on Fang Chuxiong's animal paintings

Fang Chuxiong’s Map of Rats and Cows in 2006.

  Fang Chuxiong is a native of Puning, Guangdong Province. He was born in Shantou in 1950, so he is also from Chaoshan. Because of this, several of my artists in Shantou are very familiar with Brother Chuxiong, and Brother Zhang Yingping is one of them. In 2006, my son got married, and the two new people belonged to a cow and a mouse. Therefore, Brother Ping specially invited Brother Chuxiong to draw a picture of a mouse and a cow as a gift, and the young couple got this gift, be in heaven. In 2014, it was a good opportunity for Ying Pingdi to help me find 12 frames of animal albums painted by Brother Chuxiong, in which there were two dogs, ducklings, young tigers, two sheep, fairy mice, pigs, jade rabbits, octopuses (cats and butterflies), chickens, monkeys, koalas, buffaloes, etc., with accurate pictures.

"Dream" column on Fang Chuxiong's animal paintings

Fang Chuxiong’s "Animal Album" and "Two Dogs" in 2014

"Dream" column on Fang Chuxiong's animal paintings

Fang Chuxiong’s "Animal Album" and "Blessed Pig" in 2014

"Dream" column on Fang Chuxiong's animal paintings

Koala in Fang Chuxiong’s Animal Album in 2014.

"Dream" column on Fang Chuxiong's animal paintings

Fang Chuxiong’s Animal Album, Jade Rabbit, 2014

  A painter’s style of painting mostly comes from his nature. Brother Chuxiong loves the truth and plainness of nature, and is especially good at using animals common in mountains and farmhouses as his creative materials. My brother has lived in Lingnan for a long time, so it is self-evident that the painting style of Lingnan painting school has both form and spirit, gorgeous colors and appeal to both refined and popular tastes. Gao Jianfu and Gao Qifeng Kunzhong are both masters of animal painting, but Chuxiong’s animal painting is different from theirs. There is a difference between them. The former wins with atmosphere and momentum, while Chuxiong is restrained and quiet, which is mainly related to Chuxiong’s temperament.

"Dream" column on Fang Chuxiong's animal paintings

Fang Chuxiong’s "Animal Album" and "Young Tiger" in 2014

"Dream" column on Fang Chuxiong's animal paintings

Fang Chuxiong’s Animal Album, You Chicken, 2014

"Dream" column on Fang Chuxiong's animal paintings

Fang Chuxiong’s Animal Album, Double Sheep, 2014

"Dream" column on Fang Chuxiong's animal paintings

Fang Chuxiong’s Animal Album, Octopus (Cat Butterfly), 2014

  Brother Chuxiong entered the Guangzhou Academy of Fine Arts in 1975, stayed there to teach after graduation in 1978, and was sent to Beijing and Tianjin to study. Li Keran, Li Kuchan, Cui Zifan and Sun Qifeng all taught him. However, I feel that Mr. Wang Lanruo (1911— 2015) seems more important to him. If Wang Lan is from Jieyang, Guangdong Province, Jieyang also belongs to Chaoshan area. In those days, Chaoshan businessmen were very close to Jiangsu, Zhejiang and Shanghai because of their business, so most of the nave and screen strips hung in their homes were made by famous marine artists. Therefore, the influence of Shanghai-style art in Lingdong area is enormous. It is said that there are more than 60 Chaoshan people who have studied in Shanghai Art College (including Mr. Xie Haiyan and Mr. Chen Dayu who later worked in Nanjing Art College). Mr. Wang Lanruo studied painting with Zhu Wenyun in Shanghai in his early years, and then he was admitted to Shanghai Fine Arts College. After graduating in 1935, he returned to his hometown to serve as a middle school teacher for a long time. When Fang Chuxiong was 6 years old, he became a teacher with Mr. Wang Lanruo. This special relationship between Wang Lanruo and Shanghai style painting also profoundly influenced the artistic path of Brother Chuxiong after his death. In fact, pushing forward, Sun Peigu (1891— 1944) is also a painting predecessor who combines Lingnan painting school and Shanghai painting school, and Wang Lanruo is from Sun Peigu’s door. From Sun Peigu to Wang Lanruo and then to Fang Chuxiong, we can clearly feel the existence of Lingnan and sea painting style in their works.Naturally, Brother Chuxiong’s paintings can’t be si

"Dream" column on Fang Chuxiong's animal paintings

Fairy Mouse of Fang Chuxiong’s Animal Album in 2014.

"Dream" column on Fang Chuxiong's animal paintings

Fang Chuxiong’s "Two Monkeys" in Animal Album in 2014.

"Dream" column on Fang Chuxiong's animal paintings

Ducklings in Fang Chuxiong’s Animal Album in 2014.

"Dream" column on Fang Chuxiong's animal paintings

Buffalo in Fang Chuxiong’s Animal Album in 2014

The taste of autumn

Text/Xi Bo
I like autumn, like the colorful colors in autumn, like the rich fruits in autumn, like the gloomy temperament in autumn, and prefer the mature taste in autumn.
As a result, as soon as autumn arrives, my mood is flying with the autumn clouds, flowing freely and unconstrained style; So, as soon as autumn comes, I run to the wild from time to time, looking for the taste of autumn all over the mountains.
The taste of autumn is quiet, especially after the washing of autumn rain. The sky is vast, spotless, the air is crisp, and you can smell the white clouds when you look at the blue sky from afar. Different from the new green taste of the grass in spring, the grass in autumn exudes a light fragrance, which is a mature taste. It seems to have a memory of time, clear and faint, which makes you feel a boundless yearning.
The smell of autumn is fragrant. On the ground, beside the ditch, wild flowers are everywhere, some are delicate, some are pure, some are fragrant, and some are elegant … The scattered, dense and overlapping wild chrysanthemums that spread all over the mountain embankment have openly vented their golden colors into rivers and waterfalls, and the amber-like medicinal incense has gathered like clouds and fog without reservation, emitting mature and wild.
The taste of autumn is sweet, which comes from the fresh fragrance of melons and fruits and is a gift from nature. Eat a red date, crisp, sweet and memorable; Bite an apple, the juice is as sweet as honey … In the field, persimmons are covered with branches, and the red little persimmon is like red lanterns and pink smiling faces. Pick a ripe persimmon, soft and soft, bite a mouth, suck it with your mouth, and the persimmon meat with honey juice slides into your stomach, which is extremely sweet and wonderful, just like sucking mellow wine. The sweetness of persimmons hanging on trees is clearer, richer and more mellow after the autumn frost. This seems to imply the character of autumn. After the accumulation and fermentation in spring and summer, the thick and plump autumn is mature and more flavorful.
The taste of autumn is rich, just like pomegranate seeds as red as agate and as white as crystal, some are as sweet as honey, and some are sweet and sour. Just like the red jujube, such as pearls and jade, there is sweetness in the acid and acidity in the sweetness … The taste of autumn is so rich, so mature and so rich in connotation. This kind of taste not only makes you feel the joy of harvest, but also makes you feel the sweetness of life, and also makes you think about the life situation.
…… ……
What’s the smell of autumn?
It is a quiet and natural taste, a plump and thick taste, and a colorful taste …
After all, the taste of autumn is the taste of maturity.
News clue reporting channel: download the "Qilu Yidian" APP in the application market, or search for the WeChat applet "Qilu Yidian", and 600 reporters in the province will wait for you to report online!
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The Ministry of Housing and Urban-Rural Development has made it clear that local governments should study the "list" of real estate projects and accurately support reasonable financing needs.

After the two ministries and commissions issued a document clarifying that "the coordination mechanism of real estate financing should be established in cities across the country", the Ministry of Housing and Urban-Rural Development held a meeting on the 26th to clearly speed up the implementation of the aforementioned coordination mechanism. All localities, taking projects as the object, promptly studied and put forward a list of real estate projects that can be given financing support, and established an information platform for urban real estate financing coordination mechanism projects at the national level.
On the morning of 26th, the Ministry of Housing and Urban-Rural Development held a deployment meeting for the coordination mechanism of urban real estate financing. Relevant responsible comrades of housing and urban-rural construction departments (commissions) of various provinces (autonomous regions and municipalities) and responsible comrades in charge of people’s governments of 35 key cities attended the meeting. Ni Hong, Minister of Housing and Urban-Rural Development, made it clear at the meeting that accelerating the coordination mechanism of urban real estate financing is effective, supporting the development and construction of real estate projects, meeting the reasonable financing needs of real estate enterprises with different ownership equally, and promoting the stable and healthy development of the real estate market.
In early January, the Ministry of Housing and Urban-Rural Development and the General Administration of Financial Supervision jointly issued the "Notice on Establishing a Coordination Mechanism for Urban Real Estate Financing". According to the notice, the coordination mechanism of urban real estate financing is established by cities at or above the local level, with the responsible comrades of the city government in charge of housing and urban-rural construction as the team leader, and the local housing and urban-rural construction departments and the agencies dispatched by the General Administration of Financial Supervision as the member units.
According to the development and construction of real estate projects and the qualifications, credit and finance of project development enterprises, the coordination mechanism puts forward a list of real estate projects that can be given financing support in accordance with the principle of fairness and justice, and pushes it to financial institutions within their respective administrative areas. Financial institutions evaluate the supporting objects pushed by the coordination mechanism according to the principles of marketization and rule of law.
Different from the previous white list of housing enterprises, the innovation of coordination mechanism lies in that the object of financing support is projects rather than enterprises. According to the aforementioned notice, financial institutions should not blindly lend, cut off or suppress loans for projects that encounter temporary difficulties in development and construction, but should support them by extending existing loans, adjusting repayment arrangements and adding new loans.
At that time, Chai Qiang, president of China Real Estate Appraiser and Real Estate Brokers Association, publicly stated that the debt risk of real estate enterprise groups does not mean that all its real estate projects are risky. Providing financing support with the project as the carrier avoids financial institutions from "one size fits all" all projects of debt default housing enterprises.
The meeting further emphasized that the orderly development and construction of the project is the basis for the stable and healthy operation of the real estate market and is related to the vital interests of the people. In view of the current financing problems of some real estate projects, all localities should focus on projects, study and put forward a list of real estate projects that can be given financing support, coordinate the issuance of loans by financial institutions within their respective administrative regions, and accurately and effectively support reasonable financing needs.
"Loans are the relationship between banks and housing enterprises. After the establishment of the financial coordination mechanism, the government can bridge the gap in the middle, establish a platform for dialogue and exchange, and better coordinate and solve the difficulties and problems existing in real estate financing. " Feng Bo, vice president of Chengdu Urban Construction and Development Research Institute, told the First Financial Reporter.
Feng Bo said that although some financial institutions have established some white list systems before, some financial institutions may confuse the debt risk of real estate group companies with the development and operation risk of project companies because they may not have a comprehensive and accurate grasp of the project development risks and operation risks of development enterprises.
"Bank credit approval should fully consider the business level, mortgage guarantee, repayment ability and other related risk factors. If there is a big risk, it will take hedging measures. Because project loans are often large, once they are formed, they will have a certain impact on the bank’s operating indicators and all aspects of loan management. " An industry insider told reporters.
However, Feng Bo also suggested that under the new coordination mechanism, the city government will take the lead in coordinating and guiding the financial institutions within their respective administrative areas to connect with real estate projects within their respective administrative areas, which will enhance the accuracy, continuity and coordination of real estate financial support policies, which will help to reverse the current hedging behavior of some bank financial institutions against real estate enterprises, more accurately support and better meet the reasonable financing needs of real estate projects, and effectively safeguard the legitimate rights and interests of buyers.
The meeting also made it clear that the role of "people’s governments in cities at or above the prefecture level" is to take the lead in coordination, quickly establish and operate this important mechanism, timely judge the local real estate market situation and real estate financing needs, strengthen overall planning, refine policies and measures, and build a communication platform between government, banks and enterprises.
Although both the new real estate model and the new coordination mechanism emphasize the full autonomy of urban real estate regulation and control, there are also people in the industry who are worried about the different auditing standards, progress and supervision standards for the white list of projects.
The meeting put forward detailed requirements from the regulatory level: credit funds should be guaranteed to be closed and used in compliance, and misappropriation should be resolutely prevented. At the provincial level, it is necessary to track and monitor the implementation and strengthen supervision and guidance. At the national level, an information platform for urban real estate financing coordination mechanism projects will be established, and weekly scheduling and monthly notification will be implemented.
It is worth noting that at the press conference of the State Council Office held on the 25th, Xiao Yuanqi, deputy director of the State Financial Supervision and Administration, also said that accelerating the coordination mechanism of urban real estate financing was effective.
Li Yujia, chief researcher of Guangdong Housing Policy Research Center, said that the financing coordination mechanism is an important guarantee for the real estate support policy to take effect. In the next step, the financial management department should promote the reengineering of the business system and risk control system of financial institutions, and the real estate management department should do a good job in the integrity management and compliance of business management of real estate enterprises.
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The earliest tea unearthed in the world has promoted the tea affair in China for 300 years, and tea culture is exquisite.

Original literature and history Jun Haoran literature and history

There are two boys serving tea in the front of (part of) Yan Yin Tu in Tang Dynasty.

An archaeological report published by the archaeological team of Shandong University officially announced the discovery of the world’s earliest tea in the ruins of the ancient city of Guo in Zoucheng, Jining, Shandong. Prior to this, the earliest tea in the world was found in the burial pit of Yangling, Emperor Liu Qi of the Han Dynasty. This discovery of Shandong University directly pushed the historical upper limit of tea drinking in China for more than 300 years. Tea, as a kind of drink, has entered the daily life of China people for a long time. With the development of history, not only tea itself and its related material forms have been developed, but also tea has entered the spiritual world of China people and become a sustenance of the elegant people. When the tea inscription meets the ancient paintings, those long-gone tea events are vividly presented in front of us. Let’s follow these ancient paintings to see the tea events in China!

Tea found in the ruins of the ancient city of Guo in Zoucheng, Jining, Shandong Province

I. Tea Affairs in Tang and Song Dynasties

China people’s acceptance of tea is a gradual process. Legend has it that tea originated from Emperor Yan Shennong, but at this time it was used as a medicinal drink. In the Warring States period, people in China had drunk tea. In the Han Dynasty, tea was still used as a medicine or food to participate in people’s lives.

The earliest and most reliable record of tea can be found in "Tong Yue" written by Wang Bao of Sichuan in the Western Han Dynasty. It records what a servant should do every day, and one of them is "brew tea does everything … Wuyang buys tea". Later, tea pots engraved with the word "tea" in the Eastern Han Dynasty were unearthed in Zhejiang and other places. This shows that tea has been quite popular in the Han Dynasty.

Although there were sporadic records about tea in Wei and Jin Dynasties, the tea culture at this time was still in a hazy period. Tea culture gradually surfaced, not only in ancient paintings, but also in systematic records, starting from the Tang Dynasty. The Classic of Tea by Lu Yu, a native of Tang Dynasty, is the first monograph on tea culture in the history of China, while The Orchid Pavilion of Xiao Yi is the first ancient painting with brew tea in the history of our country.

The Song Dynasty’s Copy of Xiao Yi Earning Lan Ting Tu, which was anonymous in Tang Dynasty.

The popularity of tea in the Tang dynasty was recorded in detail in the sealed "Feng’s Experience". It is said that during the Kaiyuan period, a monk in Lingyan Temple in Taishan forgot to eat and sleep in order to study Zen, and he relied on drinking tea to eliminate his fatigue and hunger. After the news spread, it became a custom to follow suit. From Shandong to Chang ‘an, the then capital city, and Chasiying Street, the world could beg for a cup of tea as long as it invested money.

After the publication of Lu Yu’s Tea Classics in Tang Suzong, tea culture gradually became an art, which was favored by ministers and nobles. "When the tea ceremony is popular, all princes and courtiers will drink.".

"Wu Mei Niang Legend" Tea tasting in upper class

A picture of Gong Le Tu in the Tang Dynasty depicts twelve beautiful women playing music around the table. They are holding pipa, guzheng, sheng and other musical instruments. There is a big tea basin on the table, and a maid-in-waiting is taking tea from the tea basin and giving it to everyone. A beautiful woman is making a drink, which shows that tea has become an essential thing for these princes and nobles to have fun every day.

Gong le tu in Tang dynasty

According to Lu Yu’s Book of Tea, people in the Tang Dynasty can be divided into boiled tea, nunnery tea and tea. In the Tang dynasty, people also called boiling tea fried tea. Although their names are different, their methods are generally the same. Use a "tea pot" or "tea kettle" for "boiling tea". After the tea is cooked, you need to use a tea spoon to take it to other places. The "fried tea" uses "tea pan", and after the tea is cooked, it can flow directly from the spout to the container.

Temple tea is now brewed directly with boiling water, while tea is special. In the Tang Dynasty, people mixed tea and porridge into a kind of tea porridge, and this drinking method was called "porridge".

"Xiao Yi Earns Lanting Map" Part

The painting "Xiao Yi Earns Lanting Map" tells the story of Xiao Yi defrauding Lanting Preface from the debating machine for Emperor Taizong. In the lower left corner of the painting, there is a stove boiling tea, and an old man is squatting on the ground, holding a bamboo pod and stirring the tea powder in the tea pot. The old man is on his back, his nostrils are enlarged, and he seems to appreciate the rich tea fragrance. While another teenager is holding a black lacquer lamp holder and a white porcelain bowl, leaning over and waiting to pick up the tea that is about to be fried. The instrument used by the old people to cook tea is a tea jar. After the tea is cooked, it can be poured directly into the tea cup offered by the young people. This way of frying tea was a common way in the Tang Dynasty. Besides, we can also see tea-making tools such as saucer, tea mill and tea combination in this painting.

The image expressed in "Xiao Yi Earns Lanting Map" itself is that guests come to cook tea, which inadvertently reflects the skills and related tools of tea cooking in Tang Dynasty, and shows that the method of tea cooking in Tang Dynasty has reached maturity and entered people’s daily life. It is in line with Lu Yu’s sentence: "When you are immersed in the customs, it is prosperous in the country, and the two capitals are between Jing and Yu, thinking that it is better than drinking in the house."

The maid on the left side of Tang Zhou Fang’s "Tune the piano and compose the tea" serves tea.

Song people are better at tea than Tang people, but they have the habits of Song people. Tea was divided into "piece tea" and "loose tea" by Song people. "Piece tea" is a cake that has been squeezed into cakes, while "loose tea" is tea that has not been squeezed. However, Song people like tea powder, that is, grinding tea into powder, so whether it is "piece tea" or "loose tea", it is actually tea powder.

Because of the different forms of tea, the way of drinking tea in Song Dynasty was different from that in Tang Dynasty. Tang people like to "make tea", while Song people like to "order tea". The so-called "tea-ordering" means putting the tea powder in a tea cup, adding soup to it with a tea bottle, and finally stirring the tea powder. "Ordering" also means drip. This process seems simple, but it is actually very learned. The appearance of ordering tea, a way of drinking tea, also led to the emergence of a competition about tea cooking in Song Dynasty-fighting tea.

Prepare tea map

Tea fighting, also known as "tea fighting", has several processes. At first, it is necessary to iron the tea cup, and then "paste mixing", that is, pour the tea powder into the tea cup. The most important process is to pour boiling water and stir the tea leaves with teaspoons and tea baskets. Especially when mixing with a tea basket, we should pay attention to the priorities. After mixing a bowl of good tea soup, the foam floating on the surface should be evenly spread and the foam should be close to the tea cup, which is called "biting the cup". However, if the foamed camellia is not evenly spread to reveal a gap, then the mixing fails, which is called "cloud foot scattering" or "water foot scattering".

In the Song Dynasty, we can see several people in folk costumes squatting and fighting for tea, which is a good picture of folk fighting for tea.

Song dynasty’s anonymous "dou cha tu"

Generally speaking, not all tea leaves will use tea in this way. Song Wangguan said in "Learning Forest" that "the best of tea is to sip it; Those who fry and sip it are all common ",that is to say, good tea will use the way of ordering tea, and ordinary tea will still be used to fry tea." But in fact, almost everyone in the Song Dynasty used some tea when drinking tea.

Song people like tea, from the emperor or the public to the common people. Song Huizong once painted a picture of Wen Hui Tu, which was about the literati’s elegant collection of tea. The lower part of the painting depicts several waiters waiting for soup and ordering tea, showing the literati’s love for ordering tea at that time. In addition, in order to meet their own demand for tea, the royal family in the Northern Song Dynasty specially sent a transshipment ambassador to Beiyuan, Fujian Province to make tribute tea, with the name "Dragon and Phoenix Tuancha". Song Huizong once praised it as "Dragon and Phoenix Tuancha, which is famous in the world", and even wrote "Daguan Tea Theory" himself, becoming the only emperor in China history who personally wrote the tea theory.

Wen Hui Tu by Song Huizong in Northern Song Dynasty (partial)

In the masterpiece The Riverside Scene at Qingming Festival, we can find tea shops everywhere in the bustling Bianjing street, which became the most important place to meet the material and spiritual needs of the citizens in the Northern Song Dynasty.

Song Zhang Zeduan’s Riverside Scene at Qingming Festival (partial)

Second, tea affairs in Yuan, Ming and Qing Dynasties

The Yuan Dynasty was a dynasty established by Mongolian ethnic minorities. Because of the difference in diet, the Mongols were not very interested in drinking tea. In addition, the country of the Yuan Dynasty was not very long, so the drinking habits of the Yuan Dynasty basically followed the way of drinking tea in the Song Dynasty. However, the Yuan Dynasty was a transitional stage. At that time, there was a tea-making method of "soaking soup to remove smoke and decocting it with soup" in the south, which was basically consistent with the tea-drinking method in the Ming and Qing Dynasties.

Yuan mural Dao Tong

By the Ming Dynasty, there had been another great change in the way of drinking tea in China. Because the manufacturing process of tea powder is complicated, Ming Taizu officially abolished the tribute tea in Fujian in the Song Dynasty in the 24th year of Hongwu, and changed the tea powder to make tea. The form of tea was formally changed from group tea and cake tea to loose tea, which led to the general way of making tea now. Tea powder was abandoned, and the method of ordering tea was naturally abandoned. Over time, people in the Ming Dynasty did not know what the method of ordering tea was.

Xu Cishu, a Ming Dynasty man, recorded the way of making tea in Tea and Vegetables Cooking Point: "First, hold tea in your hand, once the soup is put into the pot, throw the tea soup at hand, and cover it with a lid. When you breathe three times, you will pour it into the pot again." Although the Ming people still pay attention to the first tea soup for washing tea and the second for drinking, this way of making tea has been much simpler than the tea frying method in Tang Dynasty and the tea ordering method in Song Dynasty.

Ming anonymous "tea tasting map"

In Wen Zhiming’s Tea Tasting Map, we can see a grass hiding under a tree, two people sitting opposite each other in the cottage, a teapot and two white porcelain teacups on the middle desk, and a boy cooking water in the side room. Tea drinking is born with a quiet temperament. Drinking tea in downtown is lively, but in such an environment as painting, tea drinking pays attention to quietness, and it is the most desirable way for scholars in Ming Dynasty to discuss tea in quietness. Zhang Yuan, a Ming Dynasty scholar, said in Tea Record: "Drinking tea with few guests is more expensive, but many guests are noisy, and noisy is lacking in elegance." It can be seen that the tea drinking of Ming scholars is a static word, which also gives a different sustenance to tea tasting.

Tea Tasting Map by Wen Zhiming in Ming Dynasty (partial)

When we compare this picture with the Song Dynasty’s "Dou Cha Tu" mentioned before, we will find that with the disappearance of tea powder and tea ordering, tea sets have been simplified, and the tools needed for drinking tea in the Song Dynasty, such as tea grinders, teaspoons and tea baskets, are no longer popular, so that scholars in the middle and late Ming Dynasty will be confused when they read the tea baskets written by Song people.

Tea basket

Although the procedures for drinking tea and tea sets have been simplified, the quality of life of the literati in Ming and Qing dynasties has not decreased at all. They have played new tricks on the remaining teapots, teacups and tea cans, and the tea sets in the Ming and Qing dynasties are more exquisite and exquisite.

Teapots in the two dynasties were made of purple clay pots, and Wen Zhenheng, a Ming dynasty, said in "Chronicles of Long Stories" that "the teapot is made of sand, and the cover is neither fragrant nor cooked." Ming people also prefer small pots, it is best to have a small pot for each person at the elegant meeting, so as to enjoy themselves.

Porcelain firing in Ming and Qing Dynasties reached its peak, which was reflected in tea ware’s style. Most of tea ware are exquisite, but the style is according to the emperor’s preference. Yong Zhengdi in Qing Dynasty likes elegance, while tea sets in Yongzheng Dynasty are mostly simple in shape, fresh and elegant in style, giving people a pleasing feeling. For example, in Yongzheng period, there were two Yixing Kiln Zisha tea pots, one of which was hexagonal, with the word "before the rain" engraved on the lid, while the other was round and round, with the word "Zhulan" engraved on the lid.

Objects in Yongzheng period

However, Emperor Qianlong advocated magnificence, so the style of tea set in Qianlong Dynasty was warm and gorgeous, and glaze and other techniques were widely used, with bright colors and diverse patterns, with the intention of highlighting the weather of a prosperous generation. For example, in the Qianlong Dynasty, a sapphire Sanqing tea poem covered the bowl. The sapphire was transparent, covered with gold patterns, and the bowl was exquisitely carved with poems. But this is also generally speaking, there were gorgeous tea sets in Yongzheng Dynasty, and there were also elegant tea sets in Qianlong Dynasty.

Qianlong period artifacts

It is worth mentioning that the rulers of the Qing Dynasty kept their own tea culture-milk tea when they accepted the tea culture of the Han nationality. According to records, Manchu people still kept the habit of drinking milk tea after entering the customs, and the palace also set up a special institution to provide milk tea. The Qing emperor liked to have a cup of milk tea before eating, and the milk tea and other drinks in the court were also distributed according to the quantity. The rulers of the Qing dynasty loved milk tea, and even when they went hunting, they didn’t forget to have a drink.

Ranz Ning’s Hongli Hunting Dinner in Qing Dynasty (partial)

Wen Shijun said

The origin of tea culture in China is very early, and ancient ancestors have already recognized the medicinal function of tea. With the development of history, tea has increasingly entered people’s daily lives, and the fragrance of tea can be smelled in the deep gardens of the palace, in the streets of the streets and in the barren hills and wild forests. The rise of tea culture has led to the change of the material form of tea drinking, and also enriched the spiritual life of the ancient people, and tea tasting has been given a different spiritual sustenance by the ancient people. Therefore, China’s tea culture includes both material and spiritual aspects.

reference data

Qiu Jiping: Chinese Tea Painting, Zhejiang Photography Publishing House, 2014.

Liao Baoxiu: Tea Affairs and tea ware in Past Dynasties, Palace Museum Press, 2017.

Zhao Qiuli and Fan Feng: The Archaeological Team of Shandong University Discovered the World’s Earliest Tea Remains, Guangming Daily, November 26, 2021.

(Author: Haoran literature and history Jingsu)

The pictures used in this article are all from online search unless otherwise specified. If there is any infringement, please contact the author to delete them. Thank you!

The theme forum "High-quality Development of Hainan Free Trade Port Film Industry" was held.

  Everything is born in the sea, and light and shadow are new forces. On December 17th, the theme forum of "High-quality Development of Hainan Free Trade Port Film Industry" was held in Sanya. Based on the advantages and characteristics of Hainan Free Trade Port, the forum is committed to promoting the development of China’s film industry and promoting exchanges and cooperation between filmmakers at home and abroad.

  The forum consists of keynote speeches and round-table forums. Industry leaders and experts and scholars from home and abroad, such as Huayi Brothers, Zhejiang Film and Television Group, Qingdao Oriental Film Capital, Communication University of China, and Federation of Indian Chambers of Commerce and Industry, discussed how to learn from international experience in terms of copyright trading, cultural cooperation, culture going out to sea and talent training, and effectively stimulated the innovation vitality and market potential of the film industry, which opened up a broader vision, a higher pattern and a broader imagination space for Hainan’s film industry.

  In the keynote speech session, four industry big coffees explained the multi-dimensional path and its many possibilities of integration, innovation and high-quality development around Hainan film industry.

  Wang Zhonglei, co-founder, vice-chairman and CEO of Huayi Brothers Media Co., Ltd., vice-chairman of China Film Producers Association and honorary president of Hengdian Film and Television Industry Association, talked about how to further make good use of policies to promote the high-quality development of Hainan films. He suggested that the first task should be to give full play to policy advantages and pay attention to policy implementation. Secondly, it needs the support of advanced technology and creative ideas to attract talents to stay and shine for Hainan film industry. In addition, it is necessary to speed up the construction of a film and television base with a world-class industrial system, establish and improve a standardized and professional film shooting service system, and explore the development model of the film industry with Hainan characteristics.

  Zhang Xiaohui, chairman and general manager of Zhejiang Film and Television Group, put forward the vision of "inter-provincial cooperation and linkage" in his keynote speech. "I hope that by taking this opportunity, we can make a deep integration of the film and television service shooting resources of Zhejiang and Hainan provinces, and help the two provinces to make an alliance in film and television shooting." Through the cooperation between the two provinces, information sharing and resource complementarity can be realized, and homogenization competition and resource waste can be avoided.

  In the round-table forum, government leaders, industry leaders, experts and scholars discussed how to combine Hainan Free Trade Port with the national macroeconomic strategy, thus effectively stimulating the innovation vitality and market potential of the film industry.

  "If Hainan is to be a center leading the film industry, it needs to upgrade from hardware to software. This is a great challenge. Although the subsidy policy is costly, it is a very good start." Abdul Dalagudi, deputy director of the Research Institute of Multinational Corporations of the Ministry of Commerce of China and founder of Xiamen BRICS Economic and Cultural Research Service Center, said.

  Yaning, president of iQiyi Film, said, "Hainan has a policy advantage. In the future, it depends on how the policy is implemented and the shooting cost of the crew is really reduced, so as to attract more directors and production companies."

  Zhang Qiyan, deputy director of the Art Department of Hainan Provincial Tourism Department and former associate researcher of the State Council Development Research Center, believes that "one of Hainan’s great advantages is its tourism. When we discuss Hainan’s film and television industry, we can raise our horizons to a higher level and think about this issue across industries. In the future, Hainan will introduce new policies to closely integrate the film and tourism industries to seek new breakthroughs. "

  Huang Yichuan, a researcher at the China Film Art Research Center and the president and editor-in-chief of Contemporary Film magazine, said, "Hainan has sea, rainforest and hardworking people. Our advantage is not only tourism, but marine culture will definitely be a particularly important culture in the future." He suggested that it is not based on the relevant policy support of the free trade port, but should aim at excavating multi-level cultural manifestations in marine culture.

  Sun Hengqin, president of Qingdao Oriental Film Capital Industry Holding Group, said that Hainan’s advantages in personal income tax concessions, population exchanges and import procedures in the free trade zone need to be well grasped.

  Natasha Deville, a veteran filmmaker, called for responsibility for Hainan’s ecological environment in combination with her shooting experience in Hainan. She believes that the premise of attracting more films and crews to come to Hainan for filming is to protect Hainan’s environment and undeveloped areas.

  Huang Fei, general manager of Hainan Film Co., Ltd. and vice president of Hainan Film Association, said that he has cooperated with China Film Research Institute to set up a special technology joint laboratory in Sanya and is about to enter the stage of achievement transformation. The next step is to rely on the "Hainan International Media Port" project, give full play to the advantages of Hainan’s digital industry, introduce top technical teams at home and abroad, realize the comprehensive empowerment of science and technology, and promote the digital, industrialized and innovative development of Hainan’s film industry.

The situation of hegemony between Shanghai Harbor and Shandong Taishan shows the potential of China football.

Football in China has always been an important part of domestic sports. However, due to historical and practical reasons, the development of football in China still faces many challenges and difficulties. In this context, the hegemony between Shanghai Harbour and Taishan Mountain in Shandong Province and the outstanding performance of Taishan U21 in U21 League all show the hope and potential of China football.

First of all, the hegemony between Shanghai Harbour and Shandong Taishan is a highlight in China Football League. The two teams showed great strength and competitiveness in this season’s league tournament, which kept the suspense of the championship until the final round. This competitive pattern not only improves the appreciation and attraction of the league, but also promotes the investment and attention of clubs in the introduction of players and the construction of coaching teams. This healthy competitive environment is very beneficial to the development of football in China.

Secondly, Taishan U21′ s outstanding performance in U21 League also shows the future of China football. This young team showed excellent technical and tactical level and teamwork ability in the competition, which made people have a deeper understanding of the strength and potential of young players in China. These young players not only represent the future of football in China, but also are an important force for the internationalization of football in China.

However, the development of football in China still faces many challenges and difficulties. Among them, the most prominent problems are the low popularity of youth football, imperfect infrastructure construction and irregular management of professional leagues. Therefore, we need more attention and input to promote the development of football in China.

First of all, we need to strengthen the popularization and training of youth football. This requires not only the clubs to strengthen the youth training system, but also the support and participation of all sectors of society. Only by letting more children get in touch with and like football can we cultivate more excellent players.

Secondly, we need to strengthen infrastructure construction and improve the quality and quantity of football venues. This requires not only the support and input of government departments, but also the participation and contribution of all sectors of society. Only by building more high-quality football venues can more players have a better training and competition environment.

Finally, we need to strengthen the management and standardization of professional leagues. This requires clubs to strengthen their internal management and improve their operational level, as well as the support and supervision of relevant departments. Only by establishing a standardized league management system can professional leagues develop more healthily and orderly.

In a word, the development of football in China needs more attention and investment. Only through the joint efforts and support of the whole society can football in China achieve better development and make greater contributions to sports in China.

Domestic medical drama: It is more important to convey warmth than to make explosions.

Li Yu

Medical drama’s Welcome to Maile Village is a major theme work. It is a literary drama broadcast at special nodes such as the 10th anniversary of the "the belt and road initiative" initiative, the 60th anniversary of the dispatch of foreign aid medical teams from China, and the 60th anniversary of the establishment of diplomatic relations between China and Tanzania. The drama tells the story of China’s foreign aid medical team saving lives and building deep friendship with local people in Africa. From the perspective of medical drama, aiding Africa to medical drama is a major feature of domestic medical drama.

2023 is a big year for medical drama. Many idol dramas focus on medical staff, such as I heard that you like me, my earthly fireworks, and healing lovers. Serious medical career dramas are frequent, including White Castle, Ask Your Heart, Extraordinary Doctor and Welcome to Mai Le Village. In particular, "Ask Your Heart" scored 8.4 points for Douban, which became a new high made in medical drama for many years.

Medical care is closely related to the interests of ordinary people. Medical drama is also a rare theme that can radiate to all levels of society, from life and death to the relationship between doctors and patients, the medical system, and then to all beings in the world. Medical drama’s people’s livelihood genes and social attributes determine that it should be medical drama’s pursuit to bridge social contradictions, protect social conscience and convey warmth and hope, rather than chasing "explosions".

The lack of explosions: medical drama’s tortuous March

Medical drama is a branch of workplace drama, which takes the hospital as the story background, the medical workers as the protagonist, and the medical staff saving lives as the main plot of the story, focusing on presenting the daily work of medical workers, the relationship between colleagues and their patients.

Domestic medical drama can be traced back to the Hippocratic Oath with only two episodes in 1986. The play has an excellent reputation, but due to the creative conditions, medical drama has not become a climate. In 2001, "It’s All Angels’ Trouble" was a romantic idol drama set in a hospital, and medical staff began to become the main characters on the screen. Never Give Up in 2001 is a real medical drama. The Final Diagnosis in 2004, Infinite Life in 2005 and The Lancet in 2009 were broadcast in medical drama, and medical drama gradually matured.

The Doctor’s Kindness in 2010 and Mind in 2012 are landmark works made in medical drama. The Doctor’s Benevolence confronts the contradiction between doctors and patients and eulogizes the doctor’s benevolence, which has been highly praised and won the first prize of the flying prize long TV series; Directed by Yang Yang, written by Zhang Jiayi and starring Christina in 1966, Mind is the first widely discussed medical drama in China, which also makes medical drama a mainstream drama type.

After Mind, medical drama, which is the focus of production, has increased, with more diverse themes and styles. Typical examples include Distance to Love in 2013, Obstetrician, Obstetrician and Gynecology of Love in 2014, Obstetrician Male Doctor, Young Doctor, Story of Emergency Room in 2015, Growing Up, Emergency Doctor, Pediatrician Justices Seeker in 2017, Fall in love with you and cure me in 2019. Domestic medical drama involves various departments, including surgery, emergency department, obstetrics and gynecology, children, psychiatry, etc. Even domestic medical drama has a scarce theme in foreign medical drama: medical aid for foreign countries, such as Take a Deep Breath Together. It is a little regrettable that so far, there has not been a medical drama with explosive broadcast effect, and even from 2013 to 2022, there is no domestic medical drama with a douban score of 8.

The year 2023 will be the turning point of domestic medical drama from quantitative change to qualitative change-a large number, different themes and high quality. For more than ten years, medical drama made in China has matured and its creative paradigm has gradually stabilized.

Presentation of Professionalism: medical drama’s Creative Consensus

As a medical workplace drama, the professional presentation of the profession should have been the foundation of medical drama. As the audience commented on Grey’s Anatomy, "Every chest and abdominal cavity are wide open, and every episode is like a Wikipedia, which broadcasts the explanations of the terms heart valve, duodenal perforation and cardiopulmonary bypass." However, for a long time before, medical drama did not regard "professionalism" as a creative consensus.

On the one hand, the creators don’t know enough about workplace dramas and medical drama, so they can’t accurately grasp the aesthetic principles of this type of dramas. In the end, medical drama often falls in love under the guise of medical treatment, or performs family ethics.

On the other hand, medical drama is a branch of workplace drama which is very difficult to create. Medical drama has a very high threshold, and non-medical professional film and television teams are at a loss about medical knowledge. At the same time, the filming of the operation process needs the support of the fine level of film and television industrialization. After all, many medical devices are very expensive, so it is impossible for the team to buy real devices, and they need to shoot with realistic imitations.

Because of the lack of knowledge and literacy of the main creator, medical drama frequently made mistakes, misled the general audience and was criticized by medical workers. In 2017, the medical community "Lilac Garden" surveyed more than 2,000 doctors, 94% of whom had watched medical TV dramas, and 85.8% of doctors had found mistakes when watching medical TV dramas. Including "no concept of sterility", "I took my glasses with sterile gloves", "I took the film backwards", "I took the CT film and said it was magnetic resonance imaging", "The feeling that the doctor can always put the white coat out of the trench coat without fastening" and "No matter what patient dies suddenly, he will be electrocuted when he comes up".

With more ridicule, the consensus that "professionalism comes first" has gradually been established in medical drama. More and more professionals have joined the screenwriter team, and they have also been supported by professionals in the creative process. In this way, the professional level of medical drama has been significantly improved in recent years.

For example, the screenwriter of "Everything about Dr. Tang" graduated from Wuhan University with a bachelor’s degree in clinical medicine, and went to Beijing to study art only with a master’s degree. Therefore, more than 70% of the episodes of this drama took place in the hospital. White Castle is adapted from an autobiographical novel of the same name by Wang Chenggang, deputy chief physician of anzhen hospital Emergency and Critical Care Center. From the script creation to the shooting of "Ask Your Heart", there are more than 150 senior doctors who form an advisory group, and the creative team will ask experts for advice at any time if they encounter any problems. The main creative team built a real scene of the hospital covering an area of 8,000 square meters, used nearly 200 conventional equipment such as micropumps, ventilators and echocardiography, and rented high-tech medical equipment such as ECMO and IVUS …

It can be said that since 2020, the professionalism of domestic medical drama has made a qualitative leap.

The growth of doctors: medical drama’s "life and death lesson"

It is generally believed that the "double P" principle is the two wheels that drive the medical workplace drama. The first is "professional", that is, the professionalism we mentioned earlier; The second is "personal", that is, personalization. medical drama must focus on the personal growth of doctors.

Every doctor has to undergo the test of "courses" other than medical courses, such as life and death courses. Hospital is a place of hope-it brings many patients back from the brink of death, and the hospital is also a place of despair-there are inevitably too many deaths here. For every new doctor, the medical school has taught them the skills of saving lives, but it may not have taught them the death lesson-how to face the death of patients and how to accept the death of patients. This is the first level that new doctors must pass.

In "White Castle", the new doctors Wang Yangming and Liu Fei were both scared when they suffered the death of a patient for the first time-they were shocked that death was so horrible. "A person who was thinking a few minutes ago, still moving, and even talking to you breathed his last breath, and then gradually became cold and became a lifeless body." After all, doctors must learn to face death calmly and calmly. If you are immersed in pain, "this kind of pain makes you have no courage, and you can’t even do this job in the face of the next patient. Accept the reality, accept the reality that you can’t do anything, and don’t have any emotional color. " Being unemotional is not "apathy", but being more diligent in profession and more serious in attitude, and always having the courage to know that there are tigers in the mountains and favor tigers in the mountains, helping every patient to resist death as much as possible.

It is a doctor’s bounden duty to "heal the wounded and rescue the dying". However, in the specific work practice, doctors often encounter the question of "save or not". For example, in The Extraordinary Doctor, Chen Hui, a new doctor, was on his way to the hospital for an interview when he met a little boy who was hit by high-altitude glass and was dying. Chen Hui judged that the little boy had pneumothorax and needed immediate treatment. He immediately ran to the convenience store, took the art knife, disposable gloves and Erguotou, disinfected it with Erguotou, and gave the little boy a closed chest drainage on the spot. This is a very thrilling emergency rescue. After all, the scene is not a sterile environment at all. Once the chest is opened in the street, the consequences will be unimaginable.

Every operation, the hospital has some procedures to follow. For example, the interns in the ward have no right to dispose, and the tracheotomy needs to be consulted. For example, the operation requires high environment. For example, some operations require the consent of family members … If the doctor violates these procedures-although the starting point is to save people, once the patient has any consequences, the responsibility will have to be borne by the doctor, and the family members may be brought to court, lose money, and may be dismissed. If faced with such a situation, should doctors "save people or protect themselves"? In dramas such as Thank You Doctor and Ask Your Heart, some doctors respect the process, while others think that saving people is the first priority-it is of course important to follow the process, but we can’t let it get stuck in life.

The hospital is a pure white world, but this does not mean that there is no calculation of interests or disputes between right and wrong in the hospital, and it does not mean that doctors and nurses have no selfishness. Where there is a workplace, there are "rivers and lakes", there is the distribution of interests, and there is a conflict between the collective and the individual. Welcome to Maile Village is a major theme of medical drama, but it cuts into the narrative with a grounded doctor’s interest dispute. Ma Jia, the first surgeon in thoracic surgery played by Jin Dong, thought that his professional title was assured and the position of director of thoracic surgery was also in the bag. Unexpectedly, in the end, "both ends failed." At this time, Ma Jia put personal interests first. His initial motivation for joining the medical aid team in Africa was not pure. However, in the process of aiding Africa, Ma Jia gradually realized the collective significance, recovered her initial intention of becoming a doctor, balanced the collective interests and personal interests, and achieved another personal growth.

Through the growth of doctors, the audience deeply realized the doctor’s dilemma, and then empathized with the doctor’s choice, and gained inspiration from it.

The Perfect Doctor: medical drama’s Ideal Call

There are growing doctors in medical dramas, and there is often a perfect doctor who is like a needle in the sea-he is the guide and role model for new doctors, and also medical drama’s imagination and call for ideal doctors.

The "perfection" of the perfect doctor is not the perfection of labeling and shouting slogans, but the firm guardian of their initial intention to become a doctor in the face of the temptation of interests. As a medical drama’s line said, "This is a cost-effective era. All relationships are evaluated by efficiency and interests, and responsibilities and obligations deteriorate into unreasonable sacrifices. Even public welfare and goodwill have to be knocked on the calculator." Even so, Do not forget your initiative mind, the ideal doctor, said, "You should have a conscience in medicine, have confidence in surgery, and be sincere to patients."

As early as 2010, Zhong Lixing, played by Xie Junhao, made many viewers unforgettable. He has superb medical skills, cold outside and hot inside, awe-inspiring justice, chivalrous and soft-hearted, broad-minded, and never gives in to money and power … He is the spiritual leader of many doctors, and he can always remain independent and sober in the face of cross-flow desires.

In Mind, Liu Chenxi played by Zhang Jiayi is also a perfect healer. He has always adhered to the principle of "benevolence and benevolence", but his own daughter is suffering from renal failure and is waiting for a chance to change her kidney. It is not that I have never met a suitable kidney source, but "any doctor will not give up saving lives because of other things before the operating table." In the face of more urgent rescue, the daughter’s kidney source is also "something else." Fortunately, one good deed deserves another. "Luck also has a name, called selflessness. If we live in an environment where everyone is for me, then I am willing to do it for everyone. "

In Welcome to Maile Village, Zu Feng plays Jiang Daqiao as a noble healer. Just after three years of border aid, he was duty-bound to join the African medical team when it needed him. Because of his dedication to the medical cause, he owed money to his family, his marriage broke down, and he finally had a happy time with his daughter and separated. But where the collective needs him, he always stands up without hesitation.

A perfect doctor is a major feature of medical drama made in China. Only under the socialist medical system can we have so many medical staff who are "particularly capable of fighting, suffering and dedication". Although the medical system still needs to be improved, and the contradiction between doctors and nurses still exists, the existence of "perfect doctors" always highlights the lofty sense of the medical profession and always reminds medical staff of their sense of mission-"doctors are the industries that make heroes."

Warm transmission: medical drama’s positive intention

Medical drama, which has been made in China for a long time, is often criticized by critics, who think that this type of drama is not worth shooting without explosions, or deny the progress of medical drama, which is made in China. Domestic medical drama, why is it difficult to explode?

The fundamental reason is that they weaken the contradiction. Specifically, medical drama’s "contradiction" has three aspects: first, the workplace contradiction between doctors, such as the struggle between factions and interests; Second, the contradiction between doctors and patients, which extends the "exposure" of the medical system; Third, through the patient’s sentient beings, it shows the suffering of ordinary families when they encounter diseases and reflects social contradictions.

The creator is not incapable of intensifying and amplifying contradictions. At the beginning of the new century, there was a medical drama whose main purpose was to expose the black, such as Behind the Red Cross in 2005. But this creative tendency is not worth encouraging. First, unlike private medical care in developed countries, China is dominated by public medical care, and the division of interests and factional infighting do not conform to the general situation of public hospitals in China. Secondly, under China’s medical system, doctors and patients are allies and comrades-in-arms. Enlarging the contradiction between doctors and patients and transferring the shortcomings of the medical system to doctors will not only lead to the occurrence of malignant cases such as medical injuries, but also lead to the loss of medical students, and the final consequence will be borne by patients. Thirdly, a serious illness does bring great suffering to ordinary families, but in a documentary like "On Earth" Chinese Doctors, we can still see the kindness, warmth and courage in suffering-this can bring strength to families troubled by the shadow of the disease. If medical drama exaggerates suffering and sadness, it will crush the inner defenses of some patients and their families.

Therefore, the domestic medical drama is not only an entertainment work, but also a social work, and it should have a positive intention-to eulogize the light, not to amplify the darkness; To bridge contradictions, not intensify them; To convey hope, not despair-even at the expense of drama and topicality.

Compared with making explosions, it is more important for medical drama to stick to the correct idea and convey more hope and warmth to the world. Medical drama, who has a good reputation in the past two years, has such a warm texture from Everything about Dr. Tang, White Castle, Ask Your Heart, Extraordinary Doctor and Welcome to Mai Le Village. It can understand the difficulties of doctors, and strive to popularize "doctors are not omnipotent" and "there are still too many difficulties in modern medicine", hoping that patients can get out of the cognitive misunderstanding of "spending money to cure" and reduce misunderstanding and hostility towards doctors.

They also saw the difficulties of countless patients. "There is only one disease in the world, called poverty disease." Some patients have neither medical insurance nor agricultural insurance, and once they are seriously ill, they will go bankrupt. How to improve the coverage of basic medical insurance? Uneven distribution of high-quality medical resources has objectively caused the burden on the top three hospitals, and it is also extravagant for outpatient doctors to fully communicate with patients. How to balance medical resources?

These warm medical drama, let us see the dilemma of both sides-this dilemma can not be completely eliminated for a while, doctors may still be very tired, and some patients will still be very bitter; These warm medical drama convey to us the courage to face, challenge and overcome difficulties-we must constantly solve personal problems through the optimization and improvement of the system; These warm medical drama encourage doctors and patients to put themselves in other’s shoes, care for each other and understand each other, so as to work together to overcome diseases. This is the glorious responsibility and beautiful pursuit of medical drama.

Football enters the era of big data. China sports should practice the basic skills of the new era.

  Football enters the era of big data (Dazhao Review)

  Three days ago, Shandong Luneng Taishan professional football club management information system based on big data entered a new stage of version 3.0, and once again took the lead in football management concepts and innovations in the new era.

  Since 2015, Shandong Luneng Taishan Club has extensively learned from the research results in the field of global football big data, and continuously improved the level of data mining, analysis and application. Through more than two years of efforts, it has established an information management system including 10 modules including teams, players, competitions, training, medical care and public opinion.

  At the same time, China Football Association has also made plans for the construction of information management system and accelerated its implementation. This is an important measure to change the backward appearance of football in China and meet the needs of the public for football development.

  Today’s society has entered the era of knowledge economy with information technology as the core, and informatization has become a booster to promote national economic and social development. To improve the overall level of football and sports in China in many aspects, it is necessary to be good at obtaining data, analyzing data and using data. Football managers at all levels should also strengthen their study, understand big data, make good use of big data, enhance their ability to use data to promote training and management, improve the efficiency of talent training, and reduce the blindness and deviation of football market operation.

  Although the concept of big data has been put forward for nearly 10 years, it is still a new thing to become a new stage of information development. China football’s understanding and cognition of this is still in the initial state. It is very gratifying that Shandong Luneng Taishan Club has taken the lead, and it will certainly benefit more than one club. The strategic significance of big data technology is not to master huge data information, but to professionally process these data and realize the "value-added" of data through "processing". It is a means to develop the cause and improve the level. Information system can’t directly improve the level of football in China, but ignoring information or staying in the old view of the role of information can’t meet the new needs of football development.

  Objective data and scientific analysis are the key functions and values of information systems. On the other hand, if the data is untrue and the analysis is unscientific, then the misleading disaster may be very terrible. Football is originally a highly socialized sport, and big data is the product of the open era. Any idea of being closed and exclusive is incomprehensible to big data. The management information system of Shandong Luneng Taishan Club was established with the cooperation of many domestic and foreign partners.

  Please cherish this scientific and technological progress and major breakthrough. Football in China has caught up with the new era. In the face of this new topic in the field of football, even if it is slightly behind, it is much smaller than the gap in football competition, and the confidence in catching up with and surpassing the advanced level in the world should be much greater.