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In 2023, it will be over.
Looking at this year’s Chinese drama, it seems to be another "big year".
It is only a category in the mainland, and there are more than 20 douban scores of 8.0+.
Phenomenon-level broken circle works, repeated battles, dazzling.
Today, Uncle Fish recommended my own Chinese drama to everyone.
I don’t follow the heat, and I don’t follow the douban score. It is entirely based on my own personal preferences.
Next, the list is presented-
Bad obsession eliminator
"The most taboo drama of the year"
The reason why Uncle Fish chose this drama is really very simple-
Taking China’s strange literature as the story base, supplemented by Chinese calligraphy as the visual style, makes people shine at the moment.
However, "ghosts" is not the only taboo that this play breaks.
Packaging regret and unwillingness into fantasy comedy also breaks through the traditional view of death in East Asia.
Moreover, as the man’s surname "Pu" pays tribute to Pu Songling.
The story of this drama, like Strange Tales from a Lonely Studio, seems to be about ghosts, but in fact it is about people’s hearts.
Just like the woman in the play who was transformed from the tattoo on the back of the deceased.
Through her entrustment, we saw the lonely life of the deceased.
It is thought-provoking to lift weights easily and tell the current social issues.
Many people have seen the influence of the Japanese-style story structure in the play, such as The Account of Friends in Natsume.
However, Uncle Fish saw the past of Chinese from "telling people by ghosts".
From Ching-Ying Lam’s zombie movies to Lonely Ghost in a Dark Room and The Mystery of Saint Paul Hospital.
Or laugh and curse in a funny way, or shoot people directly with thriller elements.
It makes people once again see what is the real China culture of strange things.
Yao-Chinese Folktales
"The most hopeful story of the year"
The slogan of the rise of the country is almost equal to "the wolf is coming."
If you make a slightly good work, you will be crowned with this title.
But when you look down, you always feel the same.
The theme is clustered together, which is visually eye-popping.
Fortunately, this year, there is such a "China Qitan" to find another way.
Instead of thinking about how to move forward, it keeps going back to the past.
Under the name of Shanghai Animation Film Studio, ink painting, sketch, paper-cutting and freeze-frame. …
Pictures full of Chinese aesthetics are displayed in front of people.
Consistent with China’s traditional artistic conception, there is also a story that it belongs to China.
Whether it is based on The Journey to the West’s Summer of the Little Monster.
Or "Goose Goose" from the strange story "Goose Cage Scholar" in the Northern and Southern Dynasties.
Including the "canteen" in the hutong of Beijing.
They all appeal to the unique feelings of Chinese by showing the fantastic imagination of genie.
Novelty and taste.
What’s more, China Qitan is not confined to pure tradition:
The difficulty of migrant workers, scientific fantasy, the impact of modernization on tradition, and environmental protection issues. …
Are the core of the current issue.
Admittedly, as a collection, not every story has reached the same level.
And many short films are tricky and cannot represent the maturity of the industry.
But "China Qitan" still shows us that there are such a group of animators in the mainland, full of vitality and creativity.
It also makes me want to believe that the country can rise.
Then, it deserves a top ten.
Love is all.
"Another possibility of romantic drama"
In recent years, domestic love dramas have frequently overturned.
It’s either toxic industrial saccharin or ridiculous greasy love.
And "Just Love" can be called a clean stream.
Although the cp in the story is still a big traffic: brother and sister love.
But it is not limited to the high-sugar label of love itself and sister-in-law love at all.
The hero and heroine in the play are no longer the "upper class" common in domestic dramas.
Instead, I fell back to ordinary wage earners with heavy pressure and ordinary athletes at the bottom of their lives.
Under this premise, this sibling love is no longer only ambiguous, provocative and sweet.
Their feelings took root in the direction of personal career and life, and they fought hand in hand.
Like the title of the article, love just stays "just".
What is higher than love is real life.
The story takes a lot of pen and ink to describe the life-work dilemma encountered by the female host in the workplace.
For example, she was repeatedly harassed by the work phone after work and decided to mute it, but in the end she couldn’t help reading the news and subconsciously called herself "what a bitch."
During this period, the moments of fatigue broke out, so that contemporary people can get empathy.
Returning love to life, a story full of lightness, is not a bad result.
It gives another possibility to domestic romantic dramas.
The Knockout
"Villains also need spring."
The first explosion of the national drama in the beginning of the year, Uncle Fish also watched it very enthusiastically.
Anti-gangster dramas are not uncommon in recent years.
But it is the first time to portray the villain as flesh and blood and make the audience empathize.
Life experience is miserable, experience is even worse, poor to timid, everyone bullied, out of self-protection, began to blacken.
Gao Qiqiang retaliated from the fishmonger to the black boss.
Every step of his transformation path can be seen in the play with a solid logical basis, which is convincing.
Moreover, the black in The Knockout can be said to be "colorful".
In addition to Gao Qiqiang, the villains are also full of highlights.
For example, Xu Jiang.
Cruel, wild and bottomless.
But because of Jia Bing’s joyful performance, the drama is more interesting.
It is clearly a villain who is full of evil, but the audience can’t hate it.
And the role itself is not only funny.
Xu Jiang’s existence is also a key driving force in The Knockout’s game. It can be said that he created Gao Qiqiang’s leap road.
It is true that many people are dissatisfied with this "whitewashing" of villains.
However, it is more valuable to create such a villain with love, hate and helplessness than to build a tool man unilaterally.
Really excellent works should not only be flat people who are black and white.
Injecting the complex side of good and evil into the gray human nature is the boundary that domestic dramas need to break through most.
Three-Body
"Seven years of expectation have not been disappointed."
Science fiction theme has always been the shortcoming of domestic film and television.
But this year, we see a possible hope.
Relying on the super popularity of the original novel, the drama version of Three-body was highly anticipated from the beginning.
But how to present this story is a huge problem.
Will the plot be magic change? Will it become a five-hair special effect visually? Will the actors break down?
Fortunately, after seven years of waiting, we are not greeted by "relying on defense."
If nothing else, it is the presentation of the game "three-body", which is worthy of praise.
The most commendable thing about this drama is that it has achieved a balance between the original fans and the ordinary audience.
For the original party, it is a carnival.
1:1 restored overall plot, supplemented by expanded original details.
Follow the familiar characters, turn all the imagination of words into reality, and deeply feel the charm of China’s science fiction.
For the general audience, it is also a drama with enough sincerity.
Intentionally increased suspense has improved visibility.
And the careful deconstruction of many difficult and obscure concepts has also lowered the viewing threshold.
In a word, "Three-body" embodies a rare attitude in current film and television creation:
Tell a story in a down-to-earth and complete manner.
Of course, Three-body is by no means perfect.
Fortunately, it took the first step towards the success of domestic sci-fi dramas.
Defender of Eight Feet Gate
"Holy Mazu! 」
Uncle Yu is willing to call this drama the most "rammed" Taiwanese drama this year, and there is no one.
Although the number of people who have seen it is not at most.
But I still want to list it in the top ten of the year out of selfishness.
Because its topic is too sharp:
Debate on human rights.
This play puts forward a question to the public through a murder case and the dispute over the abolition of the death penalty in Taiwan Province:
Where should human rights be based when the defendants are marginal groups such as aborigines, foreign workers and prisoners on death row?
The answer to this question is not good family fun.
What we can see is an eight-episode inevitable death.
Because, when the human rights representing respect for life are turned into the death penalty and become the weight in the hands of politicians, the most basic meaning of human rights no longer exists.
Just one play contains cultural conflicts, racial issues, political games and human rights disputes …
Whether it is to confront and blame the ills of the social structure or to collide with the current ideological public opinion, this Taiwanese drama is enough to break the circle.
Uncle Fish said, "Holy Mazu! ",there is nothing more to say.
Top ten, it deserves it.
In one’s lifetime
"The Truest Story of the Year"
Four years ago, "The Story of Vulgar Cultivation" was popular, so that everyone could see:
A person’s ordinary life can also become an epic.
This year, "In One’s Life", known as the male version of "The Cultivation of Vulgar Girls", once again showed us the vitality of Taiwanese drama.
Thematically, the play is not ambitious.
It does not engage in social reflection or political disclosure.
It is nothing more than a loser who wants to die and how to achieve self-reconciliation in the family.
But it is different from our common positive tone.
Everyone’s life in this play is immersed in suffering.
The man who wants to commit suicide need not say it.
The relationship between parents is full of contradictions, and the younger brother and nephew are also troubled frequently. The whole family is always in a state of chicken flying and dog jumping.
Interestingly, it didn’t expand the contradictions and dog blood like many TV dramas, but simply took it.
The core of the whole story is still hidden inside, the love and care of typical Chinese families.
Compared with those dramas under the banner of "everyday".
"Lifetime" tells us:
Everyday is just a state.
What makes Uncle Fish more happy is that, as a male-dominated group drama, this drama has not neglected the portrayal of female groups.
The role of mother is a great highlight.
At the same time, it also casts its eyes on a wider group:
Marginal groups, the elderly, social losers … are all the care goals of Lifetime.
That alone, it won.
Moses on the Plain
"The most artistic domestic drama of the year"
This is another drama full of fish uncle’s selfishness.
It’s so unique.
As a work of the fog theater, it is not "fog" at all.
There are no large-scale scenes, and there are almost no tense and exciting drama conflicts.
But to scan the details in the most patient way.
Its story is a bit like this year’s explosion "The Long Season", which uses a murder case to lead to the trauma of the era of state-owned enterprise restructuring in the 1990 s.
But the texture of the two plays is completely different.
On the one hand, director Zhang Dalei avoided too many similar past events in Northeast China.
Naturally, I transplanted the story background to my more familiar and unique memory of Inner Mongolia.
The beauty of this play is that although it has changed the regional features of the original, it still continues the same theme and soul.
With the fate of three generations, the eternal cruel spell was revealed-
The sins of the previous generation will eventually be redeemed by the next generation.
On the other hand, Moses on the Plain is more extreme in artistic style.
With a lot of long shots and panoramic views, the director is almost completing the narrative in a naturalistic way like a documentary.
This technique, which is common in art films, is really rare in a drama series.
Looking at the whole category of Chinese drama is an extremely bold attempt.
What is even more amazing is that such a story with a calm picture and a cold background is full of the warmth of literature and art.
The girl who loves fire, the agreement of fireworks, the young man who turned the lake into a plain …
Some people call "Moses on the Plain" the "autumn trousers of domestic drama".
Not that it’s corny.
But compared with the kind of literary domestic drama that is pretentious and suspended.
This drama completes the unique romance of an era with practical actions.
The long season
"The most powerful drama of the year. 」
The best Chinese drama this year belongs to The Long Season.
Uncle Fish believes that this is not just my personal choice.
It is undoubtedly phenomenal.
From the beginning of the broadcast, the whole people followed the drama, to the criticism of "daddy taste" afterwards, all of which showed its enthusiasm.
Love it or dispute it.
We can’t deny that "The Long Season" has produced the most unique flavor at the moment when there are many suspense dramas.
It tells the coldest story in the brightest color.
Blend suspense and comedy into the coarse sense of the times in Northeast China.
Under the surface of a "dismembered corpse case", a symphony of life was written, which was broken and reorganized by a generation in the changes of the times.
In fact, describing the social problems and mental state of a special era through a murder case is not new in China.
However, the most special feature of The Long Season is that it abandons the feeling of grand narrative and expresses the impermanence of personal destiny in a poetic and romantic way.
Just like at the end of Qian Fan, Gong Biao fell into the water with joy in a song "If There Is A Tomorrow".
No one could have imagined that after this frozen smile, death was ushered in.
Say goodbye to routines and abandon the sense of coolness.
Put all the laughter and abuse in the impermanence of life.
It deserves everyone to stop and look back, taste it again and again, and then move on.
That’s all for this year’s Chinese drama.
It is not difficult to find that Uncle Fish said the most words:
Possibility.
Both the story theme and the shooting style have advantages and disadvantages.
However, in different fields, they have brought us some new shocks, and also brought us some new ideas and thoughts.
It is these freshness that make us have more expectations for future Chinese dramas.
Of course, besides this film list, there are many other good plays worth watching.
Welcome everyone to share your favorite movie with Uncle Fish in the comments section.
Next year, Uncle Fish will continue to share excellent film and television works with you.
Be there or be square
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